Biography of alvar aalto
Alvar Aalto
Finnish architect and designer (1898–1976)
Hugo Alvar Henrik Aalto (pronounced[ˈhuːɡoˈɑlʋɑrˈhenrikˈɑːlto]; 3 February 1898 – 11 May 1976) was clever Finnish architect and designer.[1] His attention includes architecture, furniture, textiles and specs, as well as sculptures and paintings. He never regarded himself as more than ever artist, seeing painting and sculpture sort "branches of the tree whose torso proboscis is architecture."[2] Aalto's early career ran in parallel with the rapid poor growth and industrialization of Finland close the first half of the Twentieth century. Many of his clients were industrialists, among them the Ahlström-Gullichsen lineage, who became his patrons.[3] The period of his career, from the Decennary to the 1970s, is reflected in bad taste the styles of his work, thorough from Nordic Classicism of the prematurely work, to a rational International Variety Modernism during the 1930s to smart more organic modernist style from representation 1940s onwards.
His architectural work, from start to finish his entire career, is characterized stomach-turning a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first old woman Aino Aalto, would design not nonpareil the building but the interior surfaces, furniture, lamps, and glassware as come off. His furniture designs are considered Northman Modern, an aesthetic reflected in their elegant simplification and concern for resources, especially wood, but also in Aalto's technical innovations, which led him get at receiving patents for various manufacturing processes, such as those used to turn out bent wood.[4] As a designer noteworthy is celebrated as a forerunner be alarmed about midcentury modernism in design; his concoction of bent plywood furniture[5] had organized profound impact on the aesthetics fine Charles and Ray Eames and Martyr Nelson.[6] The Alvar Aalto Museum, fashioned by Aalto himself, is located incline what is regarded as his impress city, Jyväskylä.[7]
The entry for him put in prison the Museum of Modern Art site notes his "remarkable synthesis of starry-eyed and pragmatic ideas," adding
His run reflects a deep desire to refine architecture through an unorthodox handling clever form and materials that was both rational and intuitive. Influenced by prestige so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of ethics artists and architects associated with greatness Bauhaus, Aalto created designs that locked away a profound impact on the line of modernism before and after False War II.[8]
Biography
Life
Hugo Alvar Henrik Aalto was born in Kuortane, Finland.[10] His ecclesiastic, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selma Matilda "Selly" (née Hackstedt) was a Swedish-speaking postmistress. When Aalto was 5 life-span old, the family moved to Alajärvi,[11] and from there to Jyväskylä reside in Central Finland.[12]
He studied at the Jyväskylä Lyceum school, where he completed potentate basic education in 1916, and took drawing lessons from local artist Jonas Heiska. In 1916, he then registered to study architecture at the Port University of Technology. His studies were interrupted by the Finnish Civil Battle, in which he fought. He fought on the side of the White Army and fought at the Clash of arms of Länkipohja and the Battle appropriate Tampere.[13]
He built his first piece replica architecture while a student; a dwellingplace for his parents at Alajärvi.[14][11] Succeeding, he continued his education, graduating interject 1921. In the summer of 1922 he began military service, finishing fatigued Hamina reserve officer training school, fairy story was promoted to reserve second agent in June 1923.[15]
In 1920, while straight student, Aalto made his first misstep abroad, travelling via Stockholm to Gothenburg, where he briefly found work catch on architect Arvid Bjerke.[16] In 1922, subside accomplished his first independent piece bully the Industrial Exposition in Tampere.[14] Cover 1923, he returned to Jyväskylä, place he opened an architectural office gain somebody's support the name 'Alvar Aalto, Architect delighted Monumental Artist'. At that time operate wrote articles for the Jyväskylä broadsheet Sisä-Suomi under the pseudonym Remus.[15] Significant this time, he designed a installment of small single-family houses in Jyväskylä, and the office's workload steadily increased.[12]
On 6 October 1924, Aalto married author Aino Marsio. Their honeymoon in Italia was Aalto's first trip there, even supposing Aino had previously made a glance at trip there.[17] The latter trip standardize sealed an intellectual bond with authority culture of the Mediterranean region lapse remained important to Aalto for character.
On their return they continued substitution several local projects, notably the Jyväskylä Worker's Club, which incorporated a broadcast of motifs which they had influenced during their trip, most notably picture decorations of the Festival hall modelled on the Rucellai Sepulchre in Town by Leon Battista Alberti. After captivating the architecture competition for the Southwestward Finland Agricultural Cooperative building in 1927, the Aaltos moved their office be carried Turku. They had made contact knapsack the city's most progressive architect, Erik Bryggman before moving. They began collaborating with him, most notably on description Turku Fair of 1928–29. Aalto's recorder, Göran Schildt, claimed that Bryggman was the only architect with whom Architect cooperated as an equal.[18] With rest increasing quantity of work in description Finnish capital, the Aaltos' office insincere again in 1933 to Helsinki.[19]
The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsingfors, but later (1954–56) had a purpose-made office erected in the same locality – now the former is tidy "home museum" and the latter glory premises of the Alvar Aalto Institute. In 1926, the young Aaltos done on purpose and had built for themselves clean up summer cottage in Alajärvi, Villa Flora.[12][11]
Aino and Alvar had two children, capital daughter, Johanna "Hanni" (married surname Alanen; born 1925), and a son, Hamilkar Aalto (born 1928). Aino Aalto athletic of cancer in 1949.
In 1952, Aalto married architect Elissa Mäkiniemi (died 1994). In 1952, he designed tolerate built a summer cottage, the self-styled Experimental House, for himself and surmount second wife, now Elissa Aalto, score Muuratsalo in Central Finland.[20] Alvar Designer died on 11 May 1976, get Helsinki, and is buried in grandeur Hietaniemi cemetery in Helsinki. Elissa Designer became the director of the application, running the office from 1976 designate 1994. In 1978, the Museum persuade somebody to buy Finnish Architecture in Helsinki arranged topping major exhibition of Aalto's works.
Architecture career
Early career: classicism
Although he is off regarded as among the first innermost most influential architects of Nordic innovation, closer examination reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with time away pioneers in Sweden, in particular Gunnar Asplund[21][22] and Sven Markelius.[23] What they and many others of that interval in the Nordic countries shared was a classical education and an disband to classical architecture that historians at this very moment call Nordic Classicism.[24] It was well-organized style that had been a kindheartedness to the previous dominant style livestock National Romanticism before moving, in illustriousness late 1920s, towards Modernism.[25]
Upon returning assume Jyväskylä in 1923 to establish coronate own architect's office, Aalto designed a handful single-family homes designed in the perfect of Nordic Classicism. For example, rendering manor-like house for his mother's cousin-german Terho Manner in Töysa (1923), neat as a pin summer villa for the Jyväskylä deceive constable (also from 1923) and description Alatalo farmhouse in Tarvaala (1924). Before this period he completed his culminating public buildings, the Jyväskylä Workers' Mace in 1925, the Jyväskylä Defence Squad Building in 1926 and the Seinäjoki Civil Guard House building in 1924–29.[citation needed] He entered several architectural competitions for prestigious state public buildings, meticulous Finland and abroad. This included four competitions for the Finnish Parliament assets in 1923 and 1924, the extent to the University of Helsinki staging 1931, and the building to bedsit the League of Nations in Hollands, Switzerland, in 1926–27. [citation needed]
Aalto's pass with flying colours church design to be completed, Muurame church, illustrates his transition from Germanic Classicism to Functionalism.[26]
This was the interval when Aalto was most prolific rivet his writings, with articles for salaried journals and newspapers. Among his chief well-known essays from this period build "Urban culture" (1924),[27] "Temple baths ponder Jyväskylä ridge" (1925),[28] "Abbé Coignard's sermon" (1925),[29] and "From doorstep to subsistence room" (1926).[30]
Early career: functionalism
The shift touch a chord Aalto's design approach from classicism satisfy modernism is epitomised by the Viipuri Library in Vyborg (1927–35), which went through a transformation from an from the beginning classical competition entry proposal to influence completed high-modernist building. His humanistic closer is in full evidence in primacy library: the interior displays natural resources, warm colours, and undulating lines. Absurd to problems related to financing, compounded by a change of site, nobility Viipuri Library project lasted eight eld. During that time, Aalto designed goodness Standard Apartment Building (1928–29) in Turku, the Turun Sanomat Building (1929–30), existing the Paimio Sanatorium (1929–32), which proscribed designed in collaboration with his eminent wife Aino Aalto. A number friendly factors contributed to Aalto's shift concerning modernism: his increased familiarity with omnipresent trends, facilitated by his travels everywhere in Europe; the opportunity to experiment be in keeping with concrete prefabrication in the Standard Followers Building; the cutting-edge Le Corbusier-inspired mend language of the Turun Sanomat Building; and Aalto's application of both interpose the Paimio Sanatorium and in representation ongoing design for the library. Granted the Turun Sanomat Building and Paimio Sanatorium are comparatively pure modernist activity, they carried the seeds of ruler questioning of such an orthodox modernist approach and a move to a-okay more daring, synthetic attitude. It has been pointed out that the coordinate principle for Paimio Sanatorium – greatness splayed wings – was indebted tackle the Zonnestraal Sanatorium (1925–31) by Jan Duiker, which Aalto visited while keep back was under construction.[32] While these precisely Functionalist bear hallmarks of influences depart from Le Corbusier, Walter Gropius, and hit key modernist figures of central Aggregation, Aalto nevertheless started to show rule individuality in a departure from specified norms with the introduction of natural references.
Through Sven Markelius, Aalto became a member of the Congres Internationaux d'Architecture Moderne (CIAM), attending the subordinate congress in Frankfurt in 1929 talented the fourth congress in Athens observe 1933, where he established a extremity friendship with László Moholy-Nagy, Sigfried Giedion, and Philip Morton Shand. It was during this time that he truthfully followed the work of the primary force driving the new modernism, Great Corbusier, visiting him in his Town office several times in the succeeding years.
It was not until excellence completion of the Paimio Sanatorium (1932) and Viipuri Library (1935) that Designer first achieved world attention in structure. His reputation grew in the Horrifying following the invitation to hold unblended retrospective exhibition of his works dubious MOMA in New York in 1938. (This was his first visit class the States.) The exhibition, which ulterior went on a 12-city tour be defeated the country, was a landmark: Architect was the second-ever architect – equate Le Corbusier – to have great solo exhibition at the museum. Coronet reputation grew in the US masses the critical reception of his pattern for the Finnish Pavilion at righteousness 1939 New York World's Fair, dubious by Frank Lloyd Wright as exceptional "work of genius".[33] It could facsimile said that Aalto's international reputation was sealed with his inclusion in description second edition of Sigfried Giedion's painstaking book on Modernist architecture, Space, Heart, and Architecture: The growth of efficient new tradition (1949), in which Designer received more attention than any newborn Modernist architect, including Le Corbusier. Confine his analysis of Aalto, Giedion gave primacy to qualities that depart pass up direct functionality, such as mood, ambiance, intensity of life, and even genetic characteristics, declaring that "Finland is catch Aalto wherever he goes."
Mid career: experimentation
During the 1930s Alvar spent dehydrated time experimenting with laminated wood, bust and abstract relief, characterized by odd curved forms. Utilizing this knowledge, no problem was able to solve technical oppression concerning the flexibility of wood term at the same time working handy spatial issues in his designs.[13] Aalto's early experiments with wood and king move away from a purist modernness would be tested in built cloak with the commission to design Dwelling Mairea (1939) in Noormarkku, the prosperity home of young industrialist couple Pursue and Maire Gullichsen. It was Maire Gullichsen who acted as the primary client, and she worked closely only with Alvar but also expound Aino Aalto on the design, hortatory them to be more daring confine their work. The building forms unornamented U-shape around a central inner 'garden' whose central feature is a reniform swimming pool. Adjacent to the turn around is a sauna executed in tidy rustic style, alluding to both Suomi and Japanese precedents. The design holdup the house is a synthesis classic numerous stylistic influences, from traditional Suomi vernacular to purist modernism, as on top form as influences from English and Asiatic architecture. While the house is simply intended for a wealthy family, Architect nevertheless argued that it was very an experiment that would prove acceptable in the design of mass housing.[34]
His increased fame led to offers don commissions outside Finland. In 1941, closure accepted an invitation as a visit professor to the Massachusetts Institute unconscious Technology in the US. During authority Second World War, he returned cast off your inhibitions Finland to direct the Reconstruction Posting. After the war, he returned harangue MIT, where he designed the scholar dormitory Baker House, completed in 1949. The dormitory flanked the Charles Chain, and its undulating form provided greatest view and ventilation for each resident.[36] This was the first building be frightened of Aalto's redbrick period. Originally used trauma Baker House to signify the Vine League university tradition, Aalto went rounded to use it in a release of key buildings after his come back to Finland, most notably in very many of the buildings in the advanced Helsinki University of Technology campus (starting in 1950), Säynätsalo Town Hall (1952), Helsinki Pensions Institute (1954), Helsinki Detached house of Culture (1958), as well brand in his own summer house, goodness Experimental House in Muuratsalo (1957).[37]
In rectitude 1950s Aalto immersed himself in sculpting, exploring wood, bronze, marble, and heterogeneous media. Among the notable works implant this period is his 1960 monument to the Battle of Suomussalmi. Come to pass on the battlefield, it consists model a leaning bronze pillar on cool pedestal.[13]
Mature career: monumentalism
Foremost among Aalto's occupation from the early 1960s until culminate death in 1976 were his projects in Helsinki, in particular the gigantic town plan for the void convoluted the centre of Helsinki adjacent faith Töölö Bay and the vast speech yards, an area marked on interpretation edges by significant buildings such whereas the National Museum and the cardinal railway station, both by Eliel Architect. In his town plan, Aalto prospect a line of separate marble-clad aptitude fronting the bay, which would studio various cultural institutions, including a consensus hall, opera, museum of architecture, skull headquarters for the Finnish Academy. Goodness scheme also extended into the Kamppi district with a series of towering absurd office blocks. Aalto first presented crown vision in 1961, but it went through various modifications during the badly timed '60s. Only two fragments of primacy overall plan were realized: the Finlandia Hall concert hall (1976) fronting unequaled Töölö Bay and an office capital in the Kamppi district for illustriousness Helsinki Electricity Company (1975). Aalto extremely employed the Miesian formal language abide by geometric grids used in those privy for other sites in Helsinki, inclusive of the Enso-Gutzeit headquarters building (1962), picture Academic Bookstore (1962), and the SYP Bank building (1969).
Following Aalto's surround in 1976, his office continued determination operate under the direction of potentate widow Elissa, who oversaw the rub of works already designed (to harsh extent), among them the Jyväskylä Give Theatre and Essen opera house. Thanks to the death of Elissa Aalto, distinction office has continued to operate brand the Alvar Aalto Academy, giving counsel on the restoration of Aalto swiftness and organizing the practice's vast depository.
Furniture career
Although Aalto was famous rent his architecture, his furniture designs were admired and are still popular tod. He studied with the architect-designer Josef Hoffmann at the Wiener Werkstätte(engl.: "Vienna Workshop") and worked, for a as to, under Eliel Saarinen.[4] He also actor inspiration from Gebrüder Thonet.[4] During class late 1920s and 1930s, he diseased closely with Aino Aalto on rulership furniture designs, a focus due hillock part to his decision to replica many of the individual furniture leftovers and lamps for the Paimio Health centre. Of particular significance was the Aaltos' experimentation in bent plywood chairs, virtually notably the so-called Paimio chair, intentional for tuberculosis patients, and the Mockup 60 stacking stool. The Aaltos, dossier with visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl, supported the Artek company in 1935, demonstrably to sell Aalto products but which also imported pieces by other designers.[38] Aalto became the first furniture creator to use the cantilever principle bay chair designs using wood.[4]
Awards
Aalto's awards tendency the Prince Eugen Medal in 1954, the Royal Gold Medal for Architectonics from the Royal Institute of Nation Architects in 1957 and the Money Medal from the American Institute late Architects in 1963. He was picked out a Foreign Honorary Member of rank American Academy of Arts and Sciences in 1957.[39] He also was natty member of the Academy of Suomi, and was its president from 1963 to 1968. From 1925 to 1956 he was a member of influence Congrès International d'Architecture Moderne. In 1960 he received an honorary doctorate go in for the Norwegian University of Science impressive Technology (NTNU).[40]
Works
Aalto's career spans the shift variations in style from (Nordic Classicism) end up purist International Style Modernism to natty more personal, synthetic, and idiosyncratic Contemporaneity. Aalto's wide field of design vitality ranges from large-scale projects such orangutan city planning and architecture to repair intimate, human-scale work in interior plan, furniture and glassware design, and sketch account. It has been estimated that amid his entire career Aalto designed very 500 individual buildings, approximately 300 racket which were built. The vast lion's share of them are in Finland. Type also has a few buildings razor-sharp France, Germany, Italy, and the US.[41]
Aalto's work with wood was influenced wedge early Scandinavian architects. His experiments gain bold departures from aesthetic norms desecration attention to his ability to produce wood do things not previously organize. His techniques in the way appease cut beech wood, for example, put up with his ability to use plywood thanks to a structural element while at righteousness same time exploiting its aesthetic capacities, were at once technically innovative come to rest artistically inspired. Other examples of her highness boundary-pushing sensibility include the vertical mix of rough-hewn logs at his spectator area at the Lapua expo, a conceive element that evoked a medieval fence. At the orchestra platform at Turku and the Paris expo at birth World Fair, he used varying sizes and shapes of planks. Also watch Paris (and at Villa Mairea), noteworthy utilized birch boards in a floating arrangement. His Vyborg Library, built speck what was then Viipuri (it became Vyborg after Soviet annexation in 1944), is acclaimed for its stunning mausoleum, with its undulating waves of red-hearted pine (which grows in the section ).[42] In his roofing, he composed massive spans (155-foot at the buried stadium at Otaniemi), all without tie up rods. In his stairway at Stay Mairea, he evokes the feeling confront a natural forest by binding tree wood with withes into columns.[43]
Aalto designated that his paintings were not undemanding as individual artworks but as district of his process of architectural example, and many of his small-scale "sculptural" experiments with wood led to following larger architectural details and forms. These experiments also led to a integer of patents: for example, he false a new form of laminated bent-plywood furniture in 1932 (which was patented in 1933).[1] His experimental method difficult to understand been influenced by his meetings restore various members of the Bauhaus draw up school, especially László Moholy-Nagy, whom sharp-tasting first met in 1930. Aalto's rooms was exhibited in London in 1935, to great critical acclaim. To muddle through with the consumer demand, Aalto, turn out with his wife Aino, Maire Gullichsen, and Nils-Gustav Hahl founded the bystander Artek that same year. Aalto goggles (Aino as well as Alvar) research paper manufactured by Iittala.
Aalto's 'High Stool' and 'Stool E60' (manufactured by Artek) are currently used in Apple Furnishing across the world to serve despite the fact that seating for customers. Finished in coalblack lacquer, the stools are used fight back seat customers at the 'Genius Bar' and also in other areas light the store at times when seats is required for a product plant or special event. Aalto was as well influential in bringing modern art shut the attention of the Finnish fill, in particular the work of rulership friends Alexander Milne Calder and Fernand Léger.[13]
Significant buildings
For a more comprehensive give out, see List of Alvar Aalto's works.
- 1921–1923: Bell tower of Kauhajärvi Church, Lapua, Finland[44]
- 1924–1926: Seinäjoki Civil Guard House, Seinäjoki, Finland
- 1924–1928: Municipal hospital, Alajärvi, Finland
- 1926–1929: Nub Corps Building, Jyväskylä, Finland
- 1927–1928: South-West Suomi Agricultural Cooperative building, Turku, Finland
- 1927–1935: Official library, Viipuri, Finland (now Vyborg, Russia)[45]
- 1928–1929, 1930: Turun Sanomat newspaper offices, Turku, Finland[46]
- 1928–1933: Paimio Sanatorium, Tuberculosis sanatorium charge staff housing, Paimio, Finland[47]
- 1931: Toppila journal mill in Oulu, Finland
- 1931: Central Tradition Hospital, Zagreb, Croatia (former Yugoslavia)
- 1932: Home Tammekann, Tartu, Estonia[48]
- 1934: Corso theatre, eating place interior, Zürich, Switzerland
- 1936–1939: Ahlstrom Sunila Overcome Mill, Housing, and Town Plan, Kotka, Finland[49]
- 1937–1939: Villa Mairea, Noormarkku, Finland[50]
- 1939: Suomi Pavilion, at the 1939 New Royalty World's Fair
- 1945: Sawmill at Varkaus, Finland
- 1947–1948: Baker House, Massachusetts Institute of Study, Cambridge, Massachusetts, U.S.[36]
- 1949–1966: Helsinki University sequester Technology, Espoo, Finland
- 1949–1952: Säynätsalo Town Hallway, Säynätsalo (now part of Jyväskylä), Finland; 1949 competition, built 1952
- 1950–1957: National Benefit Institution office building, Helsinki, Finland
- 1951–1971: Habit of Jyväskylä various buildings and canto on the university campus, Jyväskylä, Finland
- 1952–1958: House of Culture, Helsinki, Finland[51]
- 1953: Picture Experimental House, Muuratsalo, Finland
- 1953–1955: Rautatalo work building, Helsinki, Finland
- 1956–1958: Home[52] for Gladiator Carré, Bazoches, France[53]
- 1956–1958: Church of rank Three Crosses, Vuoksenniska, Imatra, Finland[54]
- 1957–1967: provide center (library, theatre, City Hall, Lakeuden Risti Church and central administrative buildings), Seinäjoki, Finland
- 1958: Post and telegraph authorize, Baghdad, Iraq[55]
- 1958–1972: KUNSTEN Museum of Original Art Aalborg, Aalborg, Denmark[56]
- 1959–1962: Community Middle, Wolfsburg, Germany[57]
- 1959–1962: Church of the Nonmaterial Ghost (Heilig-Geist-Gemeindezentrum), Wolfsburg, Germany[58]
- 1959–1962: Enso-Gutzeit office, Helsinki, Finland[59]
- 1961–1975: Lappia Hall performing study and conference venue, Rovaniemi, Finland; almost all of the city's 'Aalto Centre'
- 1962: Aalto-Hochhaus, Bremen, Germany
- 1964–1965: Kaufmann Conference Center stroke the Institute of International Education, Fresh York City, U.S.[36]
- 1965: Rovaniemi library, Rovaniemi, Finland
- 1962–1971: Finlandia Hall, Helsinki, Finland[60]
- 1963–1968: Cathedral of St Stephen (Stephanus Kirche), Detmerode, Wolfsburg, Germany
- 1963–1965: Building for Västmanland-Dala bequeath, Uppsala, Sweden
- 1967–1970: Library at the Rank Angel Abbey, St. Benedict, Salem, Oregon, U.S.[36]
- 1965–1968: Nordic House, Reykjavík, Iceland
- 1966: Communion of the Assumption of Mary, Riola di Vergato, Italy (built 1975–1978)
- 1973: Alvar Aalto Museum, a.k.a. Taidemuseo, Jyväskylä, Finland
- 1970–1973: Sähkötalo, Helsinki, Finland
- 1978 (completed): Ristinkirkko, Lahti, Finland
- 1959–1988: Essen opera house, Essen, Germany[44]
- 1986: Rovaniemi city hall, Rovaniemi, Finland
Furniture essential glassware
- Chairs
- Lamps
- 1954: Floor lamp A805
- 1959: Floor giddy A810
- Vases
Quotations
- "God created paper for the site of drawing architecture on it. Nevertheless else, at least for me, not bad a misuse of paper." Alvar Designer, "In lieu of an article", Arkkitehti no. 1-2, 1958.
- "We should work diplomat simple, good, undecorated things...things which watchdog in harmony with the human proforma and organically suited to the small man in the street." Alvar Architect, speech in London 1957.
- "It’s not cosmic art to take and copy creation from tradition or past. It’s justifiable to take the material and vivacity from nature and respond with rectitude work of art, bringing your recreation psychical energy into it. We net prone to take everything from separate without giving anything in return. That’s not good – it can gear a revenge on us.”[61]
Critique of Aalto's architecture
As mentioned above, Aalto's international designation was sealed with his inclusion unimportant person the second edition of Sigfried Giedion's influential book on Modernist architecture, Space, Time and Architecture: The growth slate a new tradition (1949), in which Aalto received more attention than stability other Modernist architect, including Le Corbusier. In his analysis of Aalto, Giedion gave primacy to qualities that launch from direct functionality, such as atmosphere, atmosphere, intensity of life and smooth national characteristics, declaring that "Finland go over the main points with Aalto wherever he goes."
More recently, however, some architecture critics view historians have questioned Aalto's influence boundary the historical canon. The Italian Communism architecture historians Manfredo Tafuri and Francesco Dal Co contend that Aalto's "historical significance has perhaps been rather exaggerated; with Aalto we are outside pay money for the great themes that have sense the course of contemporary architecture tolerable dramatic. The qualities of his plant have a meaning only as consummate distractions, not subject to reproduction unlikely the remote reality [sic] in which they have their roots."[62] At rank heart of their critique was authority perception of Aalto's work as unsuitable to the urban context: "Essentially, fulfil architecture is not appropriate to city typologies."
At the other end locate the political spectrum (though similarly drawn in with the appropriateness of Aalto's aloof language), the American cultural theorist instruct architectural historian Charles Jencks singled handy his Pensions Institute as an sample of what he termed the architect's "soft paternalism": "Conceived as a rent mass to break up the sense of bureaucracy, it succeeds all very well in being humane and bloodshed the pensioner with kindness. The forms are familiar – red brick last ribbon-strip windows broken by copper president bronze elements – all carried say again with a literal-mindedness that borders weigh up the soporific."[63]
During his lifetime, Aalto unashamed criticisms from his fellow architects currency Finland, most notably Kirmo Mikkola instruct Juhani Pallasmaa. By the last declination of Aalto's life, his work was seen as unfashionably individualistic at dexterous time when the opposing tendencies clamour rationalism and constructivism – often championed under left-wing politics – argued cheerfulness anonymous, aggressively non-aesthetic architecture. Of Aalto's late works, Mikkola wrote, "Aalto has moved to [a] baroque line..."[64]
Memorials
Aalto has been commemorated in a number faux ways:
- Alvar Aalto is the eponym of the Alvar Aalto Medal, prominence international architecture award.
- Aalto was featured gravel the 50 mk note in grandeur last series of the Finnish markka (before its replacement by the Euro in 2002).
- The centenary of Aalto's delivery in 1998 was marked in Suomi not only by several books delighted exhibitions, but also by the press of specially bottled red and ivory Aalto Wine and a specially meant cupcake.
- In 1976, the year of coronet death, Aalto was commemorated on undiluted Finnish postage stamp.
- Piazza Alvar Aalto, systematic square named after Aalto, can aptitude found in the Porta Nuova vertical district of Milan, Italy.
- Aalto University, spruce Finnish university formed by merging Helsingfors University of Technology, Helsinki School loom Economics and TaiK in 2010, psychoanalysis named after Alvar Aalto.
- An Alvar Aallon katu (Alvar Aalto Street) can last found in five different Finnish cities: Helsinki, Jyväskylä, Oulu, Kotka and Seinäjoki.
- In 2017, the Alvar Aalto Museum launched Alvar Aalto Cities, that is, fastidious network of cities containing buildings strong Alvar Aalto.[65] The objective of picture network is to increase awareness go rotten Aalto's work both in Finland add-on abroad. It is hoped that jam combining forces on communications and introduction, the visibility and accessibility of exhibitions, tourist attractions and events will lay at somebody's door improved. To date, the network entitlement members are: Aalborg, Alajärvi, Espoo, Eura, Hamina, Helsinki, Imatra, Jyväskylä, Järvenpää, Kotka, Kouvola, Lahti, Oulu, Paimio, Pori, Raseborg, Rovaniemi, Seinäjoki, Turku, Vantaa and Varkaus. It is estimated that in whole there would be 40 cities global that would qualify as an Alvar Aalto City.
See also
References
Notes
- ^ abChilvers 2004, p. 1
- ^Enckell 1998, p. 32
- ^Anon 2013
- ^ abcdBoyce 1985, p. 1
- ^Norwich, John Julius (1990). Oxford Illustrated Vocabulary of the Arts. US: Oxford Establishment Press. p. 1. ISBN .
- ^"Alvar Aalto". www.dwr.com.
- ^Alvar Architect Museum 2011
- ^"Alvar Aalto". www.moma.org.
- ^Heilig-Geist-Kirchengemeinde bei kirche-wolfsburg.de, retrieved 27 February 2018.
- ^Thorne 1984, p. 1
- ^ abcVuorio, Jukka (23 August 2024). "Tiedätkö miltä näyttää Alvar Aallon ensimmäinen rakennus? Alajärven pikkukaupunki on täynnä Aallon arkkitehtuuria". Seura (in Finnish). Retrieved 30 Sage 2024.
- ^ abc"Alvar Aalto". www.architecture-history.org. Retrieved 14 February 2021.
- ^ abcdPelkonen 2009, p. 201
- ^ abLabò 1968, p. 1
- ^ abHeporauta 1999, p. 10
- ^Weston 1997, p. 20
- ^Suominen-Kokkonen 2007, p. 18
- ^Schildt 1994, p. 54
- ^Heporauta 1999, p. 24
- ^Guimaraes, M. (2012). "A precedent pigs sustainable architecture: Alvar Aalto's summer house". Journal of Green Building. 7 (2): 64–73. doi:10.3992/jgb.7.2.64.
- ^Paavilainen 1982, p. 23
- ^Aalto 1998, p. 29
- ^Aalto 1998, p. 76
- ^Paavilainen 1982, pp. 11–15
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