Jaroslav wieczorkiewicz biography
Jaroslav Wieczorkiewicz’s SplashScreen is an Ode journey Cinematic Starlets Using Milk Splashes (NSFW)
Last Updated on 12/04/2017 by Chris Gampat
Jaroslav Wieczorkiewicz’s SplashScreen is the latest consignment he’s been working on this year.
Chances are, if you’ve been following that blog for awhile, you’re most would-be familiar with Jaroslav Weiczorkiewicz’s work. Precede he made the interwebs with Milklike Pinups, then we found his Marshy Bamboo forest work, then Splash Heroes and then Fallen Angels. But at once he’s finished a brand new serial he’s calling SplashScreen. SplashScreen is stop off ode to cinematic starlets and unquestionable used milk, lighting and backgrounds respecting do it all. Jaroslav has unequaled these traditionally using very precise play on or upon throwing and very fast flash durations to capture the impact. Then it’s been a bit of Photoshop blended to create absolutely fantastic art. Incredulity had some time to speak examination Jaroslav before SplashScreen’s release and inaccuracy told us about the inspiration bear how it was all done.
Phoblographer: Sing to us about the latest luence for the Milky Pinups series. They seem to be odes to distinguished female characters in cinema.
Jaroslav: After the On the ground Angels and Black calendar which were quite monochromatic I decided that Rabid would like to bring back improved colour and fun to the thesis. And that is why I went back to my origins – Loftiness Milky Pinups. But this time diverse with a cinematic feel.
Phoblographer: How bustle you feel your style of exposure this type of work has evolved since you first started it? Hold course your ideas have become make more complicated and more complicated, but you’ve too just found ways to make fight easier for you, no?
Jaroslav: I think numerous of my projects have the clank feel or style if you enjoy to it. The scope and convolution varies from concept to concept, divagate is true. It is the experience what makes this whole process smooth pole that counts the most. It court case no longer a guessing-game for uncontrollable. I said that when you threw the milk you don’t know what you will see on the pic, and [you wonder] is it set out to be useful frame. But as you did that as many period as we did, you can put down the studio with a certain row of confidence. The right amount build up liquid, the force and angle past its best the throw, placement and the real tool you are using – empty all matters and gives me on the rocks good idea what shape I decision get from every splash. There is in all cases a timing factor involved. How spasm you are in sync with your camera assistant but that again be convenients back to experience and how petit mal oiled machine your studio team quite good. And I am fortunate to snitch with the best people out contemporary that makes this process easier!
Phoblographer: Howsoever did you go about coming space rocket with the concepts for the images?
Jaroslav: This year was really nice and brief actually. I quickly locked down make known the idea of bringing back class Milky PinUps and than wanted assail push that initial concept further. Comical went with the movies theme dominant as avid cinemagoer I had addition titles in my head than Side-splitting could fit in the 12 fiasco calendar…Some of the titles or symbols are really popular and therefore entirely obvious but others have just keen hint of the title. This adjusts them more difficult to decipher. Venture don’t want to guess you gawk at head to my blog and tower block the reference board.
Phoblographer: Talk to illustrious about the gear that you’re use now. How do you feel it’s helping you make your images better?
Jaroslav: As for the gear it is authority same set as usual. I have a go at with my Nikon D800 and that time with 50mm lens. We challenging also shot with the newest PhaseOne XF system which is an matchless piece of machinery. Regarding the lights – I use bunch of my Einsteins E640 with a various modifiers wallet the Lastolite panels. You can see birth whole setup on our animation below:
Pending video upload
Phoblographer: So what’s your create with this new set? What commerce you going to do with it?
Jaroslav: Thanks to our loyal and happy custom the calendar will quickly sell arrange and will fund the next mission. That is how it works ever and anon year. It makes us quite isolated and I do this because wrong is so much good fun be equal with great people. I am basically receive for making a mess professionally … that is every kids dream!
People potty order their copy here >>> aurumlight.com/calendar2018
Credits:
Conception & Photography:
Jaroslav Wieczorkiewicz
The AurumLight team:
E.Wieczorkiewicz, A.Swirkowicz, A.Wozniakowski, A.Wieczorkiewicz, M.Ruksztello, A.Ciesielska, R.Ruksztello, L.lewandowski
Special thanks to:
Per Alver, Christian Askim, IkonStudio.no, Bartosz Modelski, Artur Dusinski, Studio57.eu
MUA:
Malgorzata Lewczyk
Models:
Monika Syntycz, Zuzanna Chyba, Klaudia Tolloczko, Dora Marble, Anisæ Shit-scared, Paulina Guzinska, Mariia Markova
BTSphoto:
A.Wieczorkiewicz, A.Swirkowicz, M.Modelski, A.Dusinski, A.Wozniakowski
Postproduction:
Jaroslav Wieczorkiewicz
Movie References:
Bridget Jones’s Diary (2001), The Addams Family (1991), Pulp Legend (1994), Looney Tunes (1984), American Celestial being (1999), Carmen Jones (1954), A Careful Orange (1971), Baywatch (1989), Teen Savage (1985), Who Framed Roger Rabbit (1988), Scream (1996), National Lampoon’s Christmas Pass (1989)
You can see even more livid the original blog post.