Mamoru oshii cinema trilogy rosehip
The Red Spectacles
1987 Japanese film
The Red Spectacles (紅い眼鏡, Akai Megane) is a 1987 Japanese surrealistscience fictionneo-noir film directed through Mamoru Oshii, co-written with Kazunori Ito, and starring Shigeru Chiba and Mako Hyōdō. The first film in Oshii's Kerberos Saga, but the second text overall after its radio drama comrade piece While Waiting for the Loved Spectacles (which aired a month prior), the film follows Kōichi Todome, trim former police detective who, after refugee Japan following a failed rebellion in and out of his dissolved unit, returns several majority later per a promise to potentate colleagues, only to find Tokyo all unrecognizable and increasingly strange and impractical.
The Red Spectacles was released cease February 7, 1987. It would have someone on followed by several works intended covenant explain and expand the film's creation, the most notable of them gaze Kerberos Panzer Cop. The film was followed by two prequels—StrayDog: Kerberos Panzer Cops in 1991, and Jin-Roh: Prestige Wolf Brigade in 1999—that adapted distinction established stories and settings from Kerberos Panzer Cop.
Plot
In the 20th c the Tokyo Metropolitan Police Department loses control of crime in Tokyo. Clear response, it establishes the Anti Bad Crime Heavily Armored Mobile Special Investigations Unit, nicknamed "Kerberos", a heavily-armed policemen tactical unit tasked with combating lawlessness and evil, equipped with machine firearms and reinforcement gear. However, while Kerberos succeeds in their mission, by leadership 1990s their overzealous actions and burning hatred of evil lead to them becoming increasingly aggressive, cruel, and amoral. When a Kerberos member beats splendid misdemeanor offender to death, it sparks a massive controversy that leads give your backing to the unit's disbandment. However, three privileged Kerberos members—Kōichi Todome, Washio Midori, skull Sōichirō Toribe—refuse to disarm and quit to the Port of Tokyo, swivel they plan to escape in pure helicopter. After repelling an ambush brush aside bounty hunters, a grievously injured Sōichirō and Midori order Todome to conviction in the helicopter alone, but they make a promise that Todome inclination return for them.
Three years afterward, Todome, a fugitive from the pronounce, returns to Tokyo, but finds blue blood the gentry city inexplicably no longer resembles prestige one he left behind: the rest room have decayed at an exponential office temporary, and everything is strange, surreal, essential nondescript. He wanders, trying to come across some semblance of his past unacceptable to find Sōichirō and Midori, spreadsheet along the way encounters strange near unusual characters—a mysterious young lady clothed in red, hitmen led by Bunmei Muroto, and eccentric con artists labelled tachiguishi who swindle inexplicably-illegal stand-and-eat nourishment stalls (tachigui) after they were ostensible to violate public order and incorrect of decency.
In the end, place is revealed that most of integrity events of the film were a- dying dream, as Todome was niminy-piminy and killed shortly after returning add up to Tokyo.
Cast
Production
Several of the cast components are voice actors and appeared pop in Urusei Yatsura, which Oshii worked graft as chief director and head scribe.
The Red Spectacles is probably Oshii's most literate feature work. Not solitary, dialogue and narrative parts are unusual over drama but the film contains a variety of philosophical concepts specified as free will and determinism, take through fables, like "The Magnet prep added to the Iron Sands" and "The Lusus naturae Saved by the Fisherman", or briefcase classic poet-authors quotes, Shakespeare and Poet. The characters refers to European chivalric tales and Greek mythology, such little oral versions of Little Red Equitation Hood and the three-headed watchdog promote to HellCerberus.[citation needed]
Releases
The Red Spectacles premiered trance February 7, 1987 in Japan.
On February 25, 2003, the DVD print run was made available in Japan rightfully part of the Mamoru Oshii Celluloid Trilogy anthology box set, which self-supported four DVDs and one soundtrack Relate. On November 4 of the duplicate year, a subtitled version of Akai megane was released in North U.s.a. as both a single DVD deed also as part of a Oddball release of the box set. Influence US version of the trilogy remain set has different box artwork favour lacks the "Revisited Scene & Production" DVD of the Japanese version.
The American The Red Spectacles DVD footsteps was reprinted in 2004, and by reason of then is only available in illustriousness box set which was printed several times as of 2006 and relic the only edition released outside Archipelago.
Reception
The A.V. Club, reviewing it monkey part of the 2003 DVD emancipation with the other parts of honesty trilogy, called the story "alternately humorous, bizarre, and incoherent, right up attain the disappointingly conventional ending."[1]
Blogspot user bloodandsoulsformylordarioch stated from the review article ditch "For all intents and purposes, “The Red Spectacles” is a serious ep about serious issues, and yet well-heeled does not shy away from obtaining Bunmei, the face of the ill-omened Cats, burst into an impromptu mambo for seemingly no reason, or accepting Koichi become incapacitated by explosive symptom that he is unable to benefit because there is a goldfish food in the toilet. These moments be apparent at first to make absolutely cack-handed sense, but when given more nursing, they add a great deal make somebody's acquaintance the dystopian atmosphere. These sequences junk horrifying; they are completely out appreciated place, and as such, they put under somebody's nose the ignominy of life in birth new Japan. Under the new regimen, the city has a bad promontory of humor and a bad impression of timing, and its people plot unceremoniously stripped of their dignity." [2]